The Secret Austen

Let's admit it: Jane Austen has permeated our culture in a way that no other author has.  Okay, so we have Dickens's A Christmas Carol floating around every Christmas.  And Charlotte Bronte's Jane Eyre is a big favorite.  And Emily Bronte's Wuthering Heights has a fanbase (though I can never figure out why--why?!).  But, love her or hate her (I, for one, simply adore her), Jane Austen can--and will--slink onto your bookshelf, your TV screen, your local movie theatre somehow, even though she's long, long gone.  So what that she was born 236 (and six days) ago?  She's still totally modern!  And she somehow keeps popping up in twentieth and twenty-first century pop culture (without containing the words "pride", "prejudice", "sense", "sensibility", "mansfield", "northanger", "emma", or "persuasion").  If you're a Janeite itching for something that doesn't involve empire-waist dresses and with fewer cravats, this Janeite recommends you check out some updated, but heavily Austen influenced, books and movies:

1. You've Got Mail (1996 film): Written by Nora and Delia Ephron (the former of whom is going to turn Lost in Austen into a film--woohoo!  And the former is a YA author, so basically they both win awesome points by me), this has got to be one of my favorite movies ever.  Okay, so, on the surface, this film about really, really old technology and AOL chatting in its most primitive days really doesn't seem like the most Austen-influence thing ever.  The heavy influences and allusions to Pride and Prejudice are simply staggering.  Basically, replace GBP with bookstores and throw in an ancient Internet system, put Meg Ryan in Elizabeth Bennet's place and Tom Hanks in Mr Darcy's, and thus results You've Got Mail.  (Also: watching Hanks chuck a copy of a Firth/Ehle edition of P&P across a table in favor of some booze is just freaking hilarious.)

 

2. The Lake House (2006 film): Time-travel and a funky boxy-ish--no, this is not Doctor Who.  Calm down, Whovians.  I'm talking about the last time Reeves/Bullock worked together on a movie, and it wasn't on Speed.  Okay, so I'm including this on the list because, uh, a really old copy of Persuasion is almost waved across the screen to tell the audience, "THIS IS ONE OF OUR INFLUENCES AND AUSTEN IS AMAZING."  In this very underrated flick, Keanu Reeves is more or less the Wentworth counterpart (and instead of one amazing letter at the end, it's a series of a lot of shorter ones) and Sandra Bullock is, I suppose, Anne Elliot.  As if the writer of this movie couldn't scream Austen enough, they even had Bullock read out of Persuasion: "There could have been no two hearts so open, no tastes so similar, no feelings so in unison, no countenances so beloved." Heart!

3. I Capture the Castle (1948 novel, 2003 film): If you thought Dodie Smith was always preoccupied with spotty dalmatians, you're wrong--in fact, she's quite the Janeite!  I Capture the Castle is simply speckled with Austen references--at the very start of the novel, one character asks the protagonist about living in an Austen or a Bronte novel kind of life: "Which would be nicest--Jane with a touch of Charlotte, or Charlotte with a touch of Jane?"  (If you're not squeeing already, read the book and I dare you not to squee during the whole of it.)  Frankly, I haven't seen the film and can't be much of a judge whether it is accurate or even any good at all (though it seems to have low reviews--however, Romola Garai stars in it!  Of course, that merit doesn't necessarily make it any good--Angel was a disaster and had her as the star...but that's another rant-y tangent).

 4. Harry Potter: Did you know that along with C.S. Lewis, Jane Austen is J.K. Rowling's favorite author?  In fact, she once spoke of her favorite Austen novel, Emma, that "I have never set up a surprise ending in a Harry Potter book without knowing I can never, and will never, do it anywhere near as well as Austen did in Emma."  And Argus Filch's beloved cat, Mrs. Norris, is named after none other than Mansfield Park's annoying aunt, Mrs. Norris.

5. Rudyard Kipling: Okay, okay--so I cheated here.  Rudyard Kipling is not a book or a movie, but a person--aka "the dude who wrote The Jungle Book".  So Baloo dancing to and singing "Bare Necessities" frankly has nothing to do with Marianne Dashwood weeping "Willoughby, Willoughby!" whilst longingly watching Combe Magna, but the creator of the former character was a huge fan of the creator of the latter character.  When I say huge, I mean huge--to the extent that the guy is the one who popularized the term "Janeites", the word Austen-maniacs (like yours truly) call themselves, through a story about a bunch of veterans (dudes, obviously) who are really big Austen fans (to be honest, I haven't read it...yet; and apparently another famous Austen fan, C.S. Lewis, actually blasted the story--but that's another tangent I won't get into) and even wrote a lovely--and perhaps even tear-inducing--poem entitled "Jane's Marriage" (yes, that Jane).  I could really write a whole 'nother post about Austen's other big author fans, but Kipling is probably the most prominent (as in most influential) of them all.

Sneaky Miss Austen!  She just turns up everywhere in culture--where else have you folks seen her (that is, in places not directly related to her works)?

*Emma (2009)

How I Watched the Movie: First watched on Masterpiece's website online, and later bought on DVD from BN (I think it was)

In Short: beautiful, witty, fun

I'm a Janeite, if you didn't already know. I will never tire of Pride and Prejudice, I know the story of Sense and Sensibility like the back of my hand, Northanger Abbey never ceases to make me squee with utter joy, Persuasion makes my heart sigh with the happiness of a fulfilling romance, and Mansfield Park...well, I have a bit of an issue with it, but that's another tangent entirely.

So being a said Janeite, I of course had seen the two 1996 adaptations of Emma (along with Clueless, of course) and knew the story very well, a coming-of-age chronicle of the ups and downs in the "career" of a wealthy wannabe matchmaker who simply muddled in everyone's business a little too much for their--much less her--own good, and for the longest time I was quite content and greatly enjoyed Gwyneth Paltrow's film version.

Until I became as spoiled as Emma Woodhouse herself.

Let me first make it simple: I've seen the 2009 miniseries more times than I can count (and I'm certain is nearing ten, which, considering this is four hours long, is quite a feat). But to make an adequate review, let me break things down a bit in a way I don't usually do them:

• Casting. When I first heard that Emma was being remade, I was, frankly, iffy about it. "We don't need another Emma!" I said. "The Paltrow movie was great enough!" Wrong. When I saw the cast list on Wikipedia for the first time, I wrinkled my nose. Romola Garai as the eponymous Miss Woodhouse? Johnny Lee Miller as the chivalrous Mr Knightley? Michael Gambon as Emma's valetudinarian father? It didn't sound right. How Nicholas Nickleby's little sis, Edmund Bertram (also Angelina Jolie's first husband, believe it or not), and Albus Dumbledore could fit into one miniseries I couldn't figure out. It didn't sound right. I'd seen Garai in multiple movies, all period dramas, as traumatized Kate (Nicholas Nickleby), mercenary Gwendolen (Daniel Deronda), and wimpy Celia (As You Like It). None of these roles made me think she'd make a good Emma (she was also Barbara Spooner in Amazing Grace, a dominant, kick-bum role, if I may say so myself), but being a Janeite--and since I did enjoy her acting and those movies she had been in--I was still interested in watching this. Am I glad I did. There are a few casts I think fit perfectly together like pieces of a jigsaw puzzle, and this is one of them. Everyone was practically the characters come to life. I couldn't have been more wrong about Garai as Emma--practically made for the role, she had comedy, emotion, innocence, and poise: everything required to play Emma, in contrast to Paltrow's prissy, snobbish counterpart. I'm surprised she hasn't gotten more recognition, having been snubbed at the Emmys and the BAFTAs (thank goodness for the Golden Globes though). I don't follow up on many celebrities, but if I were to draw up a list of my favorite actresses, she has definitely made it onto mine. Michael Gambon couldn't have been a better Mr Woodhouse (he made me crack up more times than I can count), and each character was perfectly casted, especially Harriet Smith (Louise Dylan), Jane Fairfax (Laura Pyper), and Frank Churchill (Rupert Evans, aka Frederick Hale from North and South--!!!). Amazing cast.
• Accuracy. I read the novel not long after first watching this and was blown away by how accurate this adaptation was. Each Austen novel has an adaptation that corresponds to it dutifully (take Colin Firth's P&P), and this is Emma's.
• Music. I could listen to the beginning score for hours...it is simply gorgeous. The first time I heard it, I was in love. When it opens with the absolutely beautiful opening credits sequence, all my previous qualms about this version of Emma were instantly removed. I just want the soundtrack badly. Listen to it here (I can't seem to find the artwork from the opening credits, but I suppose that is a good incentive for you to go watch the whole thing yourself ;) ).
• Costumes. The costume designers certainly didn't get the Emmy nod for no reason (and they were sorely snubbed, in my opinion). If you watch the bonus features on the DVD, they explain how they chose their color palette, and each costume corresponds exactly with each character. The people who worked on this took such care to follow Austen's masterpiece and understand it so well that they know down to the exact shade that Jane Fairfax would wear and the styles that Harriet Smith would mimic from Emma. (As a side note, my favorite was Emma's ball gown--simply wonderful.)
• Settings. The places picked were perfectly suited for the adaptation: the coziness of Hartfield, the dark and masculine Donwell, the sweet comfort of Highbury, the cramped Bates home, the relaxed atmosphere of Randalls...each location was carefully picked to match these fictional places. These places were so beautiful that it made me want to step inside Emma's world and live there. The interior design, especially of the Hartfield sitting room, was splendid...love, love, love!

Red Flags: Nothing that should be of any concern; it is as clean as it can get! It is a romance, but there is nothing above a sweet kiss. One character is said to be illegitimate, and all that is said about that is how it reflects on her status in society.

Grading

Plot: 10/10

Acting: 10/10

Screenwriting: 10/10

Originality: 10/10

Enjoyment: 10/10

Overall: 50/50

Tidbits

Original Release Date: October 4, 2009 (in U.K.)

Length: 240 min

Director: Jim O'Hanlon

Producer: Phillippa Giles, George Ormond

Production Company: BBC Drama Productions

MPAA Rating: NR (but as good as G, I think)